图像的瓷上设计——以明万历景德镇窑五彩瓷“张天师斩五毒图”为例

Image Design on Porcelain——Taking Wanli Period of the Ming Dynasty’s Wucai Porcelain of the Picture of “Zhang Tianshi Eliminated Five Poisonous Animals” as an Example

图像文化在文化传播过程中发挥着巨大的作用,除了视觉表征以外,图像背后所隐含的历史、政治、文化背景及其对文化传播等价值都值得挖掘和探究。在明万历年间景德镇窑出现了专门以"张天师斩五毒"为主题的人物故事图五彩瓷器,它们的产生与明代统治者对道教推崇、人们对趋吉辟邪的生活祈愿以及传统端午习俗都有着千丝万缕的联系。从"张天师斩五毒图"在五彩瓷上产生的背景和所展现的图像符号设计分析两个方面入手,阐述明万历时期五彩瓷人物故事图像文化的继承与传播,探究图像符号的设计在固定范式下的创造性发展和其审美取向,进而引发对五彩瓷图像研究的深入思考。

Image plays a huge role in the process of cultural communication.In addition to visual representation, the historical, political and cultural backgrounds behind the image and its value to cultural communication are worth exploring and exploring. During the Wanli Period of the Ming Dynasty, there were colorful porcelains with the theme of "Zhang Tianshi Eliminating Five Poisonous Animals". Their creations and the rulers of the Ming Dynasty respected Taoism, people prayed for life and the traditional Dragon Boat Festival customs connection. This paper starts from the background of "Zhang Tianshi Eliminating Five Poisonous Animals" and the image design displayed on the Wucai porcelain, expounds the inheritance and spread of the image culture of the Wucai porcelain characters in the Ming Wanli period, and explores the image design under the fixed paradigm. Freedom to play the convergence of space and aesthetic orientation, and then lead to the inheritance and thinking of the Wucai porcelain culture.