期刊文献+

论莫扎特晚期咏叹调的艺术语言

On Artistic Language of the Arias in Late Mozart Period
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摘要 莫扎特的晚期歌剧代表着歌剧艺术的高峰水准,咏叹调是这些晚期歌剧的核心要素。18世纪晚期的音乐风格经历了从巴洛克到古典的深刻变革,莫扎特晚期咏叹调既具有古典风格特征,又在旋律与形式、调性、乐队、戏剧步履等艺术语言方面深入探索了咏叹调的潜能,有力地推动了咏叹调及歌剧艺术的发展。 The opera in the late Mozart period represented the highest level of opera arts,and the aria was the core.The music style of the late 18th century had undergone a deep change from Baroque style to the classical style.The aria in late Mozart period not only embodied the characteristics of the classical style,but also explored the potential of the aria on the artistic language such as melody and form,tonality,orchestra,drama step,etc.,which effectively promoted the development of the aria and the opera arts.
作者 邹威特 ZOU Wei-te(Department of Art,Ocean University of China,Qingdao 266003,China)
出处 《美育学刊》 2020年第4期101-105,共5页 Journal of Aesthetic Education
关键词 莫扎特晚期 咏叹调 古典风格 艺术语言 late Mozart period aria classical style artistic language
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