现代空间结构的集体呈现及其中国化表达--1960年代台湾地区建筑探索

Collective Presentations of Modern Spatial Structure with Chinese Architectural Expression:Modern Architecture Practice and Theory Exploration of Taiwan Region in the 1960s

二战之后,随着结构、材料技术的突破,西方建筑界迎来一次利用新结构形式探索新建筑空间与形式的风潮。在这一时期,我国台湾地区以陈其宽、王大闳、贝聿铭等为代表的建筑师群体和以金长铭、汉宝德等为代表的建筑学者,以倒伞形(反曲薄壳)结构、折板结构、双曲面薄壳等为代表的新型空间结构形式为切入点,进行了一系列现代中国建筑实践与理论探索,并在1960年代形成创新高潮。这场群体性建筑创新,横向对接现代世界,纵向传承古老中国,是世界现代建筑史的一部分,也是战后中国现代建筑发展早期过程中极富创新意义的实践与思索,其兼顾经济性、表现性、中国气韵的建筑创新路径,至今仍富有启发意义。

After the World WarⅡ,with breakthroughs in structural and material technology,the Western architectural territory saw a tide of exploration for novel architectural space and forms by employing new structures.During this period in Taiwan region,the architects represented by Chen Chi-Kwan,Wang TaHung and Ieoh Ming Pei,and the architectural scholars King Chang-Ming and Pao-Teh Han adopted some new patterns of spatial structures,such as the inverted umbrella-shaped(reversed-curve surface)thin shell structure,the folded plate structure,the hyperbolic paraboloid thin shell structure,etc.as the breakthrough points to explore Chinese modern architecture systematically both in practice and theory,leading to the innovation climax in the 1960s.As part of the history of Western modern architecture,these collective architectural innovations inherited from Chinese ancient traditions and meanwhile integrated the Chinese architecture into the world trend.Also,these innovations are the practices and reflections of innovative significance in the early development of modern architecture in post-war China,and the innovative way of architectural creation to be economical,expressive and of Chinese spirit provides great inspiration up to now.