摘要
法国作家鲍里斯•维昂笔下的文学是文字试验场,他在"悖达玄辩"思想的指引下,提出了文学创作中的"等同原则",让文字从传统的对立统一中解放出来,为文学的自由组合创造了空间。小说《红草》中,故事虚实交汇,塑造了一个既合理又荒唐的独特世界。黑色幽默与白色写作的结合,荒诞与真实的互融,对精神分析的嘲讽,都体现出维昂对传统文学的反叛与颠覆,对于我们当代的创作具有重要的启发意义。
The literature written by the French writer Boris Vian is a test ground for words.Under the guidance of the thought of Pataphysique,he put forward"the principle of equivalence"in literary creation,which frees words from the traditional unity of opposites,creating space for the free combination of literature.In the novel Red Grass,the story combines fiction and reality,molding a unique world that is reasonable as well as absurd.Combination of black humour and white writing,integration of absurdity and truth,taunt for psychanalysis,all of these reflect Vian,s rebellion against and subversion to the traditional literature,which has an important enlightening significance for our contemporary creation.
作者
杜青钢
喻鼎鼎
Du Qinggang;Yu Dingding(Department of French,Wuhan University,Wuhan 430072,Hubei,China)
出处
《长江学术》
CSSCI
2020年第3期68-75,共8页
Yangtze River Academic
关键词
文字试验场
“等同原则”
黑色幽默
A Test Ground of Words
“The Principle of Equivalence^
Black Humour