1Donald Judd, "Complaints: Part I" , Studio International, April 1969, pp.166- 179. reprinted in Donald Judd, Complete Wn'tings, 1959-1975, Halifax: Nova Scotia College of Art and Design; New York University Press, 1975, pp.197- 199.
2Annette Michelson, "Robert Morris: An Aesthetics of Transgression" , Robert Morris, Washington D.C.: Corcoran Gallery of Art, 1969, p.t3.
3Clement Greengerg, "The Jackson Pollock Market Soars" , in Clement Greenberg: The Collected Essays and Criticism, IV, Chicago and London: University of Chicago Press,1993, pp.107-114.
4Steven Naifeh, Culture Making: Money, Success, and the New York Art World, Priceton University Studies in History, 1976.
5Jennifer Wells, "The Sixies: Pop Goes the Market" , Definitive Statements: American Art 1964-1965, Providence: Department of Art, Brown University, 1986.
6Caroline Jones, Modern Art at Harvard, New York, Abbeville Press, 1985, pp.90-95.
7Barbara Reise, "Greenberg and the Group: A Retrospective View, Parts I and It" , Studio International, May-June, 1968, pp.254-257, pp.314-316.
8Donald Judd, unpublished interview with James Meyer, Marfa, Texas, 27 October 1991.
9Carl Andre, "Preface to Stripe Painting (Frank Stella)" , 16Arnericans, New York: The Museum of Modern Art, 1959, p.76.
10Minimalism:Art and Polemics in the 1960s, New Haven and London, Yale University Press, 2000.
