期刊文献+

土地改革与人的解放:延安文艺整风中作家习性塑造及其实践差异

Land reform and human liberation:on the differences of writers' habits and practice in Yan'an Literature Rectification--A comparative study of The sun shines on Sanggan Rivery The Tempest and Evil does not oppress justice
原文传递
导出
摘要 延安文学中3部土改题材的中长篇小说:《太阳照在桑干河上》《暴风骤雨》与《邪不压正》,是文艺整风所塑造的文学实践,均涉及到土改运动中阶级关系变革所带来的人的解放,然而表现人的解放的具体情形有着明显差异。《太阳照在桑干河上》在三者之中最全面和深刻地揭示了土改对于有着精神奴役创伤的农民、女性的巨大解放作用,显示出"五四""人的文学"话语与工农兵文学话语的融合。《暴风骤雨》的人的解放主题并不显豁,只是附属于土改过程的展现。《邪不压正》的人的解放主题同样附属于"问题小说"的命意。赵树理对农民的熟悉无意间使得这一主题获得历史的真实性和深刻性。3部小说在人的解放这一主题上的差异可以看做延安文艺整风在他们身上塑造的结果。由于丁玲、周立波与赵树理习性结构差异、所处的文学场域及其占位差异使他们在延安文艺整风过程中的习性重塑也呈现出不同。《太阳照在桑干河上》《暴风骤雨》与《邪不压正》在人的解放主题表现差异便是这种习性重塑差异的外化。 As the literary practice shaped by Yan’an Literature Rectification Movement,all The three novels with the theme of land reform published in 1948--The Sun Shines On Sanggan River,The Tempest and Evil Does Not Oppress Justice--involved the human liberation brought about by the change of class relations in the Land Reform Movement.However,there are still differences among them in the specific situation of human liberation.Among the three,The sun shines on Sanggan River reveals the great emancipation effect of the Land Reform on the peasants and women with the trauma of spiritual slavery.It shows the integration of the discourse of"May4th Movement"and"human literature"with the literary discourse of workers,peasants and soldiers.The theme of human liberation in The Tempest is not obvious and is only attached to the exhibition of the process of Land Reform.The theme of human liberation in Evil Does Not Oppress Justice is also attached to the theme of"problem novel".Zhao Shuli’s familiarity with farmers unintentionally makes this theme obtain historical authenticity and profundity.The difference in the theme of human liberation in the three novels can be seen as the result of Yan’an Literature Rectification.Because of the differences in the habit structure,the literary field and the space occupied by Ding Ling,Zhou Libo and Zhao Shuli,their habit remolding in the process of Yan’an Literature Rectification is also different.The difference of the expression of the theme of human liberation in The Sun Shines On Sanggan River,The Tempest and Evil Does Not Oppress Justice is the externalization of the difference in the reshaping of human habits.
作者 徐仲佳 Xu Zhongjia
出处 《东岳论丛》 CSSCI 北大核心 2020年第8期166-175,192,共11页 DongYue Tribune
基金 海南省哲学社会科学规划课题“跨时段的历史空间及精神空间对话:四十年代小说与'人的文学’新变”(编号:HNSK[YB]18-34)。
  • 相关文献

参考文献3

二级参考文献39

  • 1王燎熒.《太阳照在桑干河上》究竟是什么样的作品?[J].文学评论,1959(1):67-83. 被引量:13
  • 2丁玲.《谈自己的创作》,《丁玲全集》.第8卷,第89页.
  • 3丁玲.《序<桑千河上>》,《丁玲全集》第9卷,河北人民出版社,2001年版,第45页.
  • 4冯雪峰.《<太阳照在桑干河上>在我们文学发展上的意义》,1952年5月25日,《文艺报》,第10号.
  • 5[美]梅仪慈.《<太阳照在桑干河上>》,孙瑞珍,王中忱编.《丁玲研究在国外》,湖南人民出版社,1985年版,第322页.
  • 6刘再复,林岗.《中国现代小说的政治式写作-从<舂蚕>到<太阳照在桑干河上>》,唐小兵编.《再解读:大众文艺与意识形态》,北京大学出版社,2007年版,第46,44页.
  • 7丁玲.《遥远的故事》,《丁玲全集》第10卷,第260-261页.
  • 8王增如,李向东.《丁玲年谱长编》,天津人民出版社,2006年版,第3页.
  • 9赵园.《也谈<太阳照在桑干河上>》[J].芙蓉,1980,(4).
  • 10唐小兵.《暴力的辩证法-重读<暴风骤雨>》,唐小兵编.《再解读:大众文艺与意识形态》,第123页.

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部