论“艺术介入”的“爆炸”

On the “Explosion” of“Art Engagement”

半个多世纪以来,当艺术走出博物馆、美术馆、画廊系统,渐渐不再成为最叛逆和最具话题性的问题之后,艺术领域潜在的边界与束缚也随之被打破。艺术理论家与批评家逐渐找出研究这类艺术现象及其背后更深层含义的方式——即用开放、动态的观察方式取代相对封闭、静态的归纳方式。在种种艺术现象中,笔者注意到当下的高频词——"艺术介入",这个词语所包含的具体指向和抽象概念一直处于不断增生的状态。

Over half a century, art has found its way out of the museums, galleries or salons to become less rebellious and less disputed before its unseen boundaries and edges were broken. The art theorists and critics have also eventually approached such art phenomena and its deeper meaning with an open and dynamic observation instead of the former narrowed and static induction. Among all the things, the author notices a high-frequency word-"art engagement" with its indication both specific and abstract to be multiplied.