摘要
自20世纪90年代以来,“新音乐学”在西方学界兴起并发展成为一股强进的学术潮流。美国音乐学家劳伦斯·克拉默是在“新音乐学”学术浪潮中脱颖而出的一位探索者,他的音乐诠释思想产生于后现代哲学语境,将西方当代哲学、语言学理论运用到对音乐意义的理解之中,实现了跨学科的互通性实践与多元文化的融合互补,体现出通过文本分析走向主体性审美批评的研究路向,对于今天的音乐学发展具有积极的启示性意义和学术价值。
Since the 1990s,"New Musicology"has emerged and developed into a strong academic trend in Western academic circles.Lawrence Kramer,an American musicologist,stands out in the academic tide of"New Musicology".His thoughts of music interpretation originated from the context of postmodern philosophy,applied the contemporary western philosophy and linguistic theory to the understanding of music meaning,realized the integration and complementation of interdisciplinary practice and multiculturalism,and reflects the research direction of subjective aesthetic criticism through text analysis,and has positive enlightening significance and academic value for the development of musicology today.
出处
《南京艺术学院学报(音乐与表演版)》
CSSCI
2020年第2期64-70,6,共8页
Journal of Nanjing Arts Institute:Music & Performance
基金
2018年江苏高校哲学社会科学研究基金项目“劳伦斯•克拉默音乐释义思想研究”(项目编号:2018SJA0377)的阶段性成果。