“光韵”理论视角下超级写实主义绘画的价值分析

The Value Analysis of Hyperrealism Painting from the Perspective of "Aura" Theory

"光韵"是德国文艺理论家瓦尔特·本雅明从艺术的审美价值角度对传统艺术向机械复制艺术替变所提出的概念。超级写实主义绘画因对事物客观性的描绘、细腻的细节刻画,其作品最终的视觉呈现上给人的感觉近似于照相摄影作品,并且肉眼难以对这两类作品进行直观区分,使得二者常被人们进行对比,常将二者价值等同化。通过"光韵"理论从超级写实主义绘画作为传统艺术在艺术创作过程中自然形成的原真性、艺术作品建立在原真性上的光韵及艺术鉴赏中以光韵体验为主的膜拜价值,可以很直观地区分其与照相摄影在作为传统艺术与机械复制艺术上的价值。

" Aura " is a concept proposed by German literary theorist walter Benjamin from the perspective of aesthetic value of art to replace traditional art with mechanical reproduction art. Hyperrealism paintings have objective depiction of things and exquisite detail depiction. Their works are similar to photographic works visually, and it is difficult for human eyes to visually distinguish these two kinds of works, so they are often compared and their values are often assimilated.Through the theory of " Aura ", we can directly distinguish the value of hyperrealism painting and photography in the traditional art and mechanical reproduction art from the echtheit of hyperrealism painting in the process of art creation, the aura of art works based on the echtheit and the Kultwert of aura experience in art appreciation.