逃逸线

Line of Flight:A Keyword in Critical Theory

"逃逸线"概念最初出现在绘画领域,经由德勒兹与加塔利的哲理性阐发和他们对文学作品与作家的深入分析,逃逸线对哲学、文学、艺术、精神分析、绘画、电影研究、政治等领域产生了不同程度的影响。在德勒兹与加塔利看来,线是世间万物的构成要素之一,无论作为个体还是作为群体,我们都由线构成。他们提出了三种线--坚硬线、柔韧线与逃逸线,通过文学作品呈现了三种线之间的差异与交错运行,由此指出逃逸线以生成为中心,走向绝对的解域化;逃逸线运行于"之间",在一种"与"的逻辑下不断地进行生成变化,颠覆了西方以"存在"为指向的形而上学,走向了一种生机论的文学观。

Line of flight appears originally in painting.By philosophical illustration of Gilles Deleuze and Felix Guattari and their deep analyses of authors and literary works,line of flight influences to some extent philosophy,literature,art,psychoanalysis,painting,film studies,politics,and so on.According to Deleuze and Guattari,lines constitute all the things in the world.Whether we are individuals or groups,we are made of lines.They put forward three kinds of lines:rigid line,supple line and line of flight.They demonstrate the differences and the intersection among these lines,proclaiming that line of flight centers on Becoming,and moves toward absolute deterritorialization.Line of flight passes amid"betweens,"and makes a constant generation under the logic of"and."The theory overturns western metaphysic centering on"Being,"and leads to a vitalistic view on literature.