论杨绛的作家批评

On the Writer’s Criticism of Yang Jiang

近年来热议的作家批评因其将艺术生产与艺术消费结合起来的特质而在批评领域占有一席之地。杨绛的作家批评在批评观念的自洽、批评实践的构入性、取譬连类的批评方法等方面优势尽显——在自我设计的话语系统中"有感而孕"并进行文学审美;作序、版本考据、流派命名等方面研究暗含自身主体身份的在场;将古典批评发展为接近取譬、对比连类、互文以证等方法。杨绛的文学批评延续了中国文人的自我平衡心态,个性未能保留至极,但这并不妨碍其成为中国现当代文学批评的一个支脉。

In recent years,the writer’s criticism,which is widely discussed,occupies a place in the field of criticism because of its characteristics of combining art production and art consumption.The writer’s criticism of Yang Jiang shows its advantages in the consistency of criticism concept,the constructiveness of criticism practice,and the method of criticism by analogy.In the self-designed discourse system,she first felt the works and conducted literary aesthetics.Writing forewords,edition textual criticism,genre naming and other aspects of the study implied her own identity of presence.She developed classical criticism into such methods as analogy,comparison and classification,and mutual textual proof.Yang Jiang’s literary criticism has continued the self-balancing mentality of Chinese literati and her personality has not been preserved to the extreme,but this does not prevent her from becoming a branch of Chinese modern and contemporary literary criticism.