论明末清初的诗主性情说

On the Theory of“Poetry Based on Emotions”in the Late Ming and Early Qing Dynasties

明末清初的诗主性情说相较于晚明与清中期,呈现出了一种新的特征:其一,从外部结构上来看,诗言志与诗主性情说呈对立统一的辩证关系;其二,从内部系统上来看,诗主性情说不仅从个人之性情延伸至万古之性情,同时在性情与世运之间也形成了辩证统一的联系;其三,从审美取向上来看,由诗主性情说所引发的对“真诗”问题的探讨同样是这一时期诗论的重要特点。

Compared with the late Ming dynasty and the middle Qing dynasty,the theory of“the poetry based on emotions”in the late Ming and early Qing dynasties manifested some new features.Firstly,in terms of external structure,there was a dialectical relationship between the theory of“poetry based on one’s will”and that of“the poetry based on emotions”.Secondly,in terms of internal system,personal emotions expressed in the poetry bore eternal meaning,but also formed a dialectical unity relationship between emotions and times.Thirdly,in terms of aesthetic orientation,the discussion on“genuine poetry”sparked by the theory of“poetry based on emotions”was also an important characteristic of poetics in this period.