刺点与标出:晚明书法的文化符号学分析

Punctum and Highlight:Analysis of Calligraphy of the Late Ming Dynasty from the Perspective of Cultural Semiotics

晚明时期,中国书法出现了巨大变革,张瑞图、傅山、王铎等书家,以狂放恣肆的笔墨冲击着传统中正典雅的书法风格。借用罗兰·巴特的“刺点”以及文化符号学相关理论,可以发现晚明书法的革新意义。晚明书法在笔法、章法、笔墨方面呈现出“刺点”风格,并体现出一定的异项艺术特质,由此凸显了书法艺术的本体性意义。

The late Ming Dynasty saw great change of Chinese calligraphy from conventional elegant style into wild and bold style of Zhang Ruitu,Fu Shan,Wang Duo and some other calligraphers who brought about innovative force.Application of the theory of punctum of Roland Barther and relative cultural semiotics will help to find the significance of the change.Specifically,calligraphy in the late Ming Dynasty presented some puncta and special features in its techniques,composition and the use of ink,which underscored its ontological sense.