摘要
研究分析了青铜器、瓷器、木雕、织锦和刺绣等器物上的龙纹纹饰,对几千年中华图腾龙纹,以及构成图案的题材、特点和寓意进行归类分析总结。采用直接提取重构图法,将传统瓷器上的缠枝卷草灵芝龙纹及清宫皇室服饰上的团龙纹,经过数码横机软件制版、上机织制及整理或数码喷射印花图案设计、喷湿或刮浆、印花及整理等工艺过程,织制或印染成不同单元纹饰的纺织品小样。通过分析样片外观效果得出:不同题材龙纹纹饰利用形式美法则可单独或组合成新的工艺美术纹饰,应用于现代纺织品设计,实现传统文化与现代技术的碰撞交融。
The various types of dragon patterns on bronzes,porcelains,wooden statues,brocades and embroideries were studied.The themes,characteristics and metaphors of the ancient dragon totem in China were summarized.The method of extraction and reconstruction was used to digitally scan and make templates of the Ganoderma dragon patterns with curly leaves on the ancient Chinese porcelains and the circled dragon patterns on the royal costumes of Qing Dynasty.Through the processes of digital knitting software plate making,machine weaving,finishing or digital dye printing design,spray wetting or scarping,printing and finishing,the textile samples with different unit patterns were woven or printed.By analyzing the samples,it could be concluded that the different themes of ancient dragon patterns using the rule of formal beauty could be applied to modern textile designs,either by itself or in combination,for the purpose of achieving the collision and combination of ancient culture and modern technology.
作者
尚亚力
徐跃帼
SHANG Ya-li;XU Yue-guo(Changzhou Textile Garment Institute,Changzhou 213164,China)
出处
《纺织科技进展》
CAS
2020年第8期21-25,共5页
Progress in Textile Science & Technology
关键词
龙纹
设计
针织
印花
dragon pattern
design
weave
printing
