摘要
李健吾的印象主义批评在中国现代文学评论史中独树一帜。这种风格的成因有三个方面:第一是李健吾的艺术至上论,第二是李健吾有戏剧性的性格以及创作戏剧的经历,第三是李健吾以一种类似于"爱美剧"的创作心态来创作文学评论文章。
Li Jianwu’s Impressionist Criticism is unique in the history of modern Chinese literary criticism. The reasons are his art supremacy, dramatic character and experience of creating drama and creation of literary review articles with a creative mentality similar to "Amateur Drama".
作者
潘兴
PAN Xing(Law Department of Tibet Police Academy,Lasa Tibet 850000,China)
出处
《重庆电子工程职业学院学报》
2020年第3期107-110,共4页
Journal of Chongqing College of Electronic Engineering