论《奇鸟行状录》中的自性实现及女性他者

On the Self-realization and Female’s the Other in The Wind-up Bird Chronicle

村上春树始终着眼于现代人的精神危机,用幻想模式的创作素材,通过纵横交错的"历史"叙事,为读者提供了一种理性所难以解释的、人类心灵的共同体验。在《奇鸟行状录》主人公复杂交错的人际关系中,女性他者起到了引领主人公克服心理危机、走向自性实现的特殊作用。结合荣格的无意识原型和个性化理论,分析主人公对女性他者的认知、区分及同化以达到自性整合,进而走向个性化的过程,有助于解读村上春树对人的自性实现及精神救赎的深入思索。

With the creative materials of fantasy mode and the crisscross "history" narrative,Haruki Murakami always focuses on the spiritual crisis of modern people,providing readers with a community experience beyond the scope of consciousness understanding and human soul. In the complex and interlaced interpersonal relationships of the protagonist in The Wind-up Bird Chronicle,female’s the other plays a special role in leading the protagonist to overcome the psychological crisis and to realize his self-nature. Combining Jung’s unconscious prototype with the "individuation" theory,it analyzes the protagonist’s cognition,differentiation and assimilation of female’s the other to achieve self-integration and personalization, which helps to interpret Murakami’s in-depth thinking on the realization of human self-nature and spiritual salvation.