听觉符号与当代文学阐释学的话语生产

Auditory Symbols and Discourse Production of Contemporary Literary Hermeneutics

作为"媒介论"转向的理论产物,文学活动中的听觉问题愈益凸显。技术治下的听觉符号脱卸了传统文学审美场域中的观念性形态,以脱离音源在场的文本化存在成就了文学阐释场域的表征实践。无论是以广播剧为代表的听觉阐释模式抑或以影视、网络改编为代表的复合符号阐释模式,听觉符号凭依言、音、乐等多元形态的叙事体例打破了文学阐释学一度以来的语言主宰,以一种互文性的表征模式建构了当代文学阐释学复合符号的文本形态与集成式的叙事体例,从而在为"听觉现代性"提供文学佐证的同时,对中国当代文学阐释学话语体系的建构同样提出了思考。

As a theoretical product of the“media theory”turn,the auditory problems in literary activities have become increasingly prominent.Under the rule of technology,the auditory symbols,disengage the conceptual form in the traditional literary aesthetic field,and achieves the representational practice in the field of literary interpretation through the textual existence without the presence of the audio source.Whether it is the mode of auditory interpretation represented by radio drama or the mode of composite symbol interpretation represented by film,television and network adaptation,auditory symbols,relying on the multiple narrative style of words,sounds and music,breaks the language dominance occupied in literary hermeneutics for a long time,thereby constructing the text morphology with compound symbols and integrated narrative style of contemporary literary hermeneutics,so as to put forward some insights in the construction of discourse system of contemporary Chinese literature hermeneutics,while providing literary evidence for“auditory modernity”