“飘零”与“抵达”:张骏祥电影中知识分子的境遇问题——以《还乡日记》《乘龙快婿》为例

“Floating”and“Arrival”:the Situation of Intellectuals in Zhang Junxiang's Films——Taking The Diary of Returning Home and The Dragon-in-law as Examples

以张骏祥的《还乡日记》《乘龙快婿》为例,将两部作品进行对比分析,探讨了其相似的主题和共同的精神内核,发现张骏祥在这两部电影中有意塑造了理想的知识分子形象,表达了他们的困境及试图为其出路寻找答案。认为两部影片是张骏祥在主流叙事模式和个人化创作之间不断平衡的结果,对于当代主旋律电影的创作有借鉴意义。

Taking Zhang Junxiang's The Diary of Returning Home and The Dragon-in-law as examples,this article compares and analyzes the two works and discusses their similar themes and common spiritual core.It is found out that Zhang Junxiang intentionally created the ideal intellectual image in these two films,expressed their dilemma and tried to find an answer for their way out.It is believed that the two films are the result of Zhang Junxiang's constant balance between the mainstream narrative model and personalized creation,and have reference significance for the creation of contemporary main melody films.