摘要
湖湘文学的现代性由启蒙现代性、革命现代性和审美现代性三个方面构成:启蒙现代性主张文学的理性化与西方化;革命现代性主张文学的本土化与民族化;审美现代性主张文学的抒情化与反思化。审美现代性精神主要表现为:对线性时间观的质疑,对乡土空间的想象,对感性生命的张扬,对人性异化的反思。湖湘文学的审美现代性以抒情化的方式表达了对启蒙现代性与革命现代性的审视和反思。
The modernity of Huxiang literature consists of three aspects:enlightenment modernity,revolutionary modernity and aesthetic modernity.Enlightenment modernity advocates the rationalization and westernization of literature.Revolutionary modernity advocates the localization and nationalization of literature.Aesthetic modernity advocates the lyricization and introspection of literature,and its modernity spirit is mainly manifested in the following aspects:the questioning of the linear view of time,the imagination of local space,the publicity of perceptual life,and the reflection on the alienation of human nature.The aesthetic modernity of Huxiang literature expresses the inspection and reflection on the enlightenment modernity and revolutionary modernity in a lyrical way.
作者
张惠
ZHANG Hui(College of Literature, Hunan First Normal University, Changsha 410205, China)
出处
《邵阳学院学报（社会科学版）》
2020年第4期82-87,共6页
Journal of Shaoyang University:Social Science Edition
基金
湖南省哲学社会科学基金项目“湖湘文学的现代性谱系研究”(15YBA109)
湖南省教育厅优秀青年项目“现代性视域下的湖湘文学历史嬗变研究”(16B056)。
关键词
湖湘文学
审美现代性
感性生命
人性异化
Huxiang literature
aesthetic modernity
sensuous life
human alienation
