摘要
鲁迅先生的美术素养颇高,对图像文化一直表现出甚于他人的关注和思考。他一生注重对图像资料的收集和评论,文学创作实践中的图像性叙述表现较为突出,文学史研究中也大量运用了图像资料,自觉采用“实物图像与遗文互相释证”的二重证据法等;文学图像意识也使得他对文学发展的思想文化背景分析别有新见。鲁迅先生高度自觉的图像意识和成功的视觉文化实践为当代图文关系的良性发展提供了典范。
Lu Xun has high artistic accomplishment,and he always shows more concern and consideration about image culture than others.He pays attention to the collection of and comment on image materials all his life.In his literary creation,the pictorial narration is more prominent.He uses a lot of pictorial materials in the study of literary history,and consciously adopts the double evidence of“mutual interpretation of physical images and remains”.His analysis of cultural background of literary development boasts of new ideas due to the use of a large number of literary images.In conclusion,Lu Xun’s highly subjective consciousness of image and successful practice of visual culture provide a model for the benign development of the relationship between contemporary images and texts.
作者
李本红
LI Benhong(Journal of Academics, Hefei 230051, China)
出处
《合肥工业大学学报(社会科学版)》
2020年第4期38-44,共7页
Journal of Hefei University of Technology(Social Sciences)
关键词
鲁迅
文学图像
视觉文化
Lu Xun
literary image
visual culture