《红岩》与中国当代国家文学

The Relationship between Red Rock and Contemporary Chinese National Literature

中国当代国家文学的建构,既是现代民族国家文学发展逻辑的必然选择,同时也是中国当代文学特殊性的体现,但其体制化资源却主要来自前苏联。从上世纪20年代到30年代,俄共(布)中央委员会和联共(布)中央先后发布了《关于党在文学方面的政策》的决议、《关于改组文艺团体》的决议,并于1934年8月主持召开了第一次全苏作家代表大会,奠定了前苏联国家文学的基础,展现出现代民族国家语境下新的国别文学发展愿景及其发展路径,对我国当代国家文学的形成产生了重要影响。重庆作家罗广斌、杨益言的长篇小说《红岩》的创作过程,在某种意义上可以看作是中国当代国家文学构建的一个代表和缩影,并为新中国国家文学提供了创作范式,创造了成功经验。

The construction of Chinese contemporary national literature is not only the inevitable choice of the development logic of modern national state literature,but also the embodiment of the particularity of Chinese contemporary literature.From the 1920s to the 1930s,the central committee of the communist party of Russia(republic of Russia)and the central committee of the communist party of Russia(republic of Russia)successively issued resolutions on the Party's Policy on Literature and on the Reorganization of Literary and Artistic Organizations,and presided over the first all-soviet writers’congress in August 1934,laid the foundation for the literature of the former Soviet states.It shows the development vision and path of the new national literature in the context of modern nation-state,which has an important influence on the formation of contemporary national literature in China.The creative process of Red Rock,a novel written by Luo Guangbin and Yang Yiyan from Chongqing,can be regarded as a representative and epitome of the construction of Chinese contemporary national literature in a sense,and provides a creative paradigm and a successful experience for new China's national literature.