中国题画诗类型新解--以中国现代画家诗人诗作为例

A New Interpretation of the Types of Chinese Painting Poems--Take the Poetry of Modern Chinese Painters and Poets as an Example

“诗画一律”是中国独特的艺术传统,这一艺术融合的最终形成是“诗向画的靠拢”与“画向诗的靠拢”双向运行的结果,题画诗是对“诗画一律”艺术观念的实践。通过列举中国现代画家创作的题画诗,证明中国题画诗从诗画关系上可分为三类:诗意大于画意、诗意等于画意、诗意小于画意。通过对中国画家题画诗新的类型分析,既能理解画家在创作题画诗时的“文本间性”,又能认识均衡艺术修养的重要性。

"Unity of poetry and painting" is a unique artistic tradition in China. The final formation of this artistic fusion is the result of the two-way operation of " the close of poetry to painting" and " the close of painting to poetry". Painting poetry is the practice of the artistic concept of "unity of poetry and painting". By listing the poems on paintings created by modern Chinese painters,it is proved that Chinese poems on paintings can be divided into three categories from the relationship between poems and paintings: poetry is greater than painting;poetry is equal to painting;poetry is less than painting. Through the analysis of the new types of Chinese painters’ painting poems,we can not only understand the " intertextuality" of painters in the creation of painting poems,but also understand the importance of balanced artistic cultivation.