摘要
音乐创作是观念的形式化,反言之,形式与观念的信息携带则是音乐创作的必有特征。观览中国百年钢琴音乐创作,几代作曲家的创作观念与创作思维逐步发生变化,对于“信息携带”的策略处理方式也各不相同,但整体呈现出一条从“中国传统音乐”走向“中国音乐”的变化轨迹。
Music creation is the formalization of ideas.In another word,the information carrying of forms and ideas is the necessary feature of music creation.The creation of Chinese piano music has lasted for 100 years and achieved fruitful results.A retrospect of China's piano music creation in the past century,several generations of composers have presented gradual change in their creative concept and thinking and their strategic treatment methods for"information carrying".However,the overall situation shows a developing path leading from"Chinese traditional music"to"Chinese music"and demonstrates Chinese cultural confidence.
作者
赵静
葛琤
ZHAO Jing;GE Cheng(Department of Composition,Shanghai Conservatory of Music,Shanghai 200031,China;Department of Music,Zhejiang Vocational Academy of Art,Hangzhou 310053,Zhejiang,China)
出处
《贵阳学院学报(社会科学版)》
2020年第4期98-101,共4页
Journal of Guiyang University:Social Sciences
基金
2019年度浙江省教育厅一般科研项目“中国钢琴音乐创作中‘信息携带’的处理策略”(项目编号:Y201942177)。
关键词
中国钢琴音乐
策略处理
中国音乐
文化自信
Chinese piano music
strategic treatment
Chinese music
cultural confidence