计量电影学与费穆电影结构的可视化路径

Cinemetrics from the Perspective of Digital Humanities:Visualized Path of Fei Mu’s Film Structure

在数字人文的倡导下,以编程语言、超文本、定制算法和大数据分析等数字技术工具为基础的定量研究方法,陆续成为进入电影研究的新路径。计量电影学不仅为电影本体研究提供了数据可视化的工具,而且也拓展了电影研究的理论视野,更构建出一种新型的数据共享和跨学科合作的学术模式。笔者借助现有的数字计量工具,对于费穆导演的电影结构进行了可视化的研究实践,并结合电影历史、理论和电影艺术的创作规律等分析了费穆电影的形式风格。

Under the advocacy of digital humanities,quantitative research methods based on digital technology tools such as programming languages,hypertext,custom algorithms and big data analytics are emerging as new pathways into film studies.Cinemetrics not only provides a tool for data visualization in the study of film ontology,but also expands the theoretical horizons of film studies and constructs a new academic model for data sharing and interdisciplinary collaboration.With the help of existing digital measurement tools,this paper has conducted a visual research practice on the structure of Fei Mu’s films,and analyzed the formal style of Fei Mu’s films by combining film history,film theory and film ontology.