混杂与变异:作为跨地实践的邵氏歌舞片

Hybridity and Mutation:The Shaw Brothers Musical Film as Trans-local Practice

"邵氏"是中国电影史上产业规模最完备、商业运作最成功的大片厂式家族电影企业,在它的多元产制中,歌舞片是重要却较少被系统论及的类型,将其放置在类型发展的宏观视域及具体而微的历史现场中重新审视,可发现"邵氏"在整合跨地资源推进歌舞类型创新时,并未削足适履地一味模仿好莱坞,而是尝试摸索一条本土表达路径,在调用家族影业资源、考衡海外市场基础上自觉寻求变异,形成了混杂却也独特的片厂风格,引领了香港电影史上歌舞片创作的一次中兴。

The Shaw Brothers is the most complete and commercially successful major studio-style family film enterprise in the history of Chinese cinema.The musical film is an important but less systematically discussed genre in the multiplicity of production systems of the genre.When we re-examine the specific and detailed historical scenes,we can see that Shaw has not act in a Procrustean way when integrating trans-location resources to promote musical genre innovation.Instead of just imitating Hollywood,the company tries to find a path of local expression by calling on the resources of its family film industry and considering overseas markets.A conscious search for variation has led to a hybrid but unique studio style that has led to the creation of a new musical film in the history of Hong Kong and Chinese cinema.