“作用于皮肤和头发”:克拉考尔的《电影理论》和1940年的“马赛笔记”

“With Skin and Hair”:Kracauer’s Theory of Film,Marseille 1940

作者以“历史化”的方式重新解读克拉考尔的《电影理论》这一经典文本,以打开它超越本体论的丰富向度。《电影理论》一书的意义需要在早期草稿和最终版本之间的张力中去理解,从而这本书的最初的草稿“马赛笔记”就在文章中占据了重要位置。“马赛笔记”中“物质维度”的概念不仅包括了“物质现实”,也把主体包含在内,这也就为打开这一文本的社会政治潜能提供了切入点。

In this paper,the author reinterprets the classic book Kracauer’s Theory of Film in a historical way to reveal its rich dimensions beyond ontology.In the author’s opinion,the significance of Theory of Film needs to be understood in the tension between the early draft and the final version,and thus“Marseille notebooks”as its first draft,occupies an important position.The concept of“material dimension”in“Marseilles Notes”not only embodies the“material reality”but also the subject,which provides a perspective to study the social and political potentials of this book.