西南少数民族电影的叙事身份嬗变探究

On the Evolution of Narrative Identity in Ethnic Minority Films of the Southwest China

叙事身份是研究少数民族电影的重要指针,是区分自我与他者,是对于“我是谁”的追问。探究西南少数民族电影的叙事身份变迁,涉及的是“谁在说、说什么”的问题。由于“十七年”革命政治主题的独断,民族叙事身份的认同主要体现为阶级认同;1970年代少数民族电影的叙事主题大体上仍遵循“十七年”的文艺政策,虽力求突破,但仍体现为阶级认同;进入21世纪,少数民族电影迎来新的机遇和契机,叙事身份的认同主要体现为族群认同。

Narrative identity is an important indicator to the study of ethnic minority films by distinguishing the self from the other with the question“who I am?”To explore the evolution of narrative identity of ethnic minority films in Southwest China concerns the questions“who says it and what does it say”.In the context of revolutionary political theme during the period of“Seventeen Years”,the identification of national narrative identity is mainly embodied as class identity.Then,the narrative themes of ethnic minority film in“1970s”generally still adhered to literature and art policy in“Seventeen Years”,though they strived to break them through,yet they were still an embodiment of class identity.Ethnic minority films have embraced new opportunities when ushering in the 21st century and the identification of narrative identity is mainly reflected as the ethnic identity.