摘要
近年来,网络文学成为电视剧、网络剧改编最重要的母本来源,为创作拓展了新的想象空间,增添了创造活力。现实题材网文改编创作从网络文化向电视媒介文化转换,有平滑对接,也有交锋、冲突与妥协。改编创作在网文写作的“快感机制”与电视剧承载的主流意识形态话语之间寻找平衡点,反映了政策管理所代表的主导话语与粉丝经济在大众审美趣味与意义建构之间的协商与交融。题材类型主要包括改革/创业、都市情感、青春校园、悬疑探案四类,作品摹写当代普通人的生存状态与情感命运,艺术概括、致敬改革开放,叩击大众的集体记忆。同时,需要发现更多的优质IP、提高改编水平,克服创作中的“悬浮”、模式化等“低审美”现象。
Since the beginning of the 21st century,cyberliterature became the most important source of adaptation for TV series and Internet shows,which expanded new horizons for imagination and contributed to the vitality of literary and artistic creation.From Internet culture to TV culture,there can be smooth transition,as well as confrontation,conflict and compromise.These adaptations attempt to strike a balance between the“pleasure mechanism”of online writing and the mainstream ideological discourse of TV drama.These works depict the living condition,emotions,and destiny of ordinary people,pay homage to the reform and opening-up,and touch upon the collective memory of the public.At the same time,it is necessary to find more high-quality IP,improve the quality of adaptation,and overcome the“low aesthetic”phenomenon.
作者
戴清
陈萌
Dai Qing;Chen Meng
出处
《中国文学批评》
CSSCI
2020年第3期138-148,160,共12页
Chinese Journal of Literary Criticism
基金
2019年国家社会科学基金艺术学项目“融媒环境下现实题材剧的创作、审美与传播新趋势研究”(19BC032)阶段性成果。