摘要
这座工厂坐落于中国最具有自然魅力的地区之一——桐庐和富阳之间,该地区也是拥有600多年历史的中国传世名画《富春山居图》的描绘对象。在自然和城市之间,建筑师尝试寻找到一种策略来平衡发展经济和保护环境的需求。面向自然一侧,我们在设计中保留了场地的自然山水与田园;面对快速道路和城市,我们则用有抽象实验意义的巨幅砖画来回应工业流水线的生产要求。
The factory is located in one of the most attractive areas in China,an area.between Tonglu and Fuyang that is also the subject of a famous Chinese painting-Dwelling in the Fuchun Mountains.The architects have attempted to find strategies that balance the need to develop the economy and protect the environments of the natural and urban areas.For the landscape side,our design retains the natural mountains,water,and countryside on the site;for the side facing express roads and rural areas,we have responded to the production requirements of industry assembly lines with abstract and experimental large brick painting.
出处
《世界建筑》
2020年第S01期22-25,共4页
World Architecture
