中国国家博物馆藏《江楼秋思图》及《江楼第二图》考

Textual Research on The Mansion and River in Autumn and The Second Painting of Mansion and River stowed in the National Museum of China

《江楼秋思图》及《江楼第二图》是南社诗人柳亚子(1887-1958)生前组织创作的重要"作图寄意"之作及收藏品。作品先后由胡平、何香凝两位女画家完成,之后又有多位南社女诗人、女词人参与其中的题咏活动。这一系列作品既异于传统女性画家的闺阁之作,又与由画家本人主导的创作不一样,包含了背后组织者柳亚子的女性解放思想及美术思想,同时亦是南社"作图寄意"现象的重要代表。本文从对作品基本情况钩沉入手,对参与此图诗画创作的南社女性、组织者柳亚子的美术因由、南社的"作图寄意"现象等方面进行了讨论,以期对此两图进行更深入的解析。

The Mansion and River in Autumn and The Second Painting of Mansion and River are two important works in the collection of the South Society(also known as the Southern Society or Nan Society) poet Liu Yazi(1887-1958). The paintings were created by two female painters, Hu Weiping and He Xiangning respectively, and later, various female poets inscribed praise poems for the two paintings. This series of works, neither traditional boudoir paintings nor artist-dominated artworks, served as an important representation of the South Society’s "painting for conveying thoughts", conveying the thoughts of women emancipation and relevant aesthetic opinions of the organizer Liu Yazi. Starting from the general information of the two paintings, this paper attempts to offer a profound interpretation by discussing the following topics: the female participants in the creating process;the aesthetic view of Liu Yazi;and the "painting for conveying thoughts" of the South Society.