论唐儒孔颖达对“六诗”说的诠解

On Kong Yingda’s Interpretation of the Theory of “Six Poems”

唐代大儒孔颖达对《诗经》"六诗"问题作了系统而详实的疏解,并首倡"三体三用"说,这一方面促使"六诗"的内涵和外延得到更充分的彰显,另一方面表现出较明显的文体学观念和对文艺审美形式的自觉意识,同时亦破解了传统"六诗"说的诸多难题。较之汉儒解《诗经》,其政教色彩相对淡化而审美色彩显著增强。这对后世学人更加准确、深刻地领会"六诗"说的精髓,并有效地推进《诗经》学研究的诗学化、审美化取向具有重要意义。

Kong Yingda,a great Confucian in Tang Dynasty,made a systematic and detailed explanation of the"Six Poems"in The Book of Songs,and initiated the theory of"Three Forms and Three Uses".On the one hand,it promotes the connotation and extension of"Six Poems"to be fully displayed.On the other hand,it shows a more obvious stylistic concept and a conscious awareness of the aesthetic form of literature and art,and at the same time solves many problems of the traditional theory of"Six Poems".Compared with the interpretation of The Book of Songs by Han Confucians,its political and religious color is relatively weak and its aesthetic color is significantly enhanced.This is of great significance for later scholars to understand the essence of the theory of"Six Poems"more accurately and profoundly,and effectively promote the poetic and aesthetic orientation of the study of The Book of Songs.