摘要
该文以早期中国宫廷苑池的发展变迁为研究背景,重点梳理从秦始皇至西汉中期宫廷苑池景观艺术的发展。论文进而指出“缩微景观”这一独特的视觉样式大体形成于秦始皇时代,发展于西汉初年,成型于汉武帝时期。其中既包含统治者对域外、仙界的畅想,同时也似乎暗含着他们对“普天之下”世界观的认知。
This Paper focuses on combing the landscape art of court pool from Qin Shihuang to the middle of the Western Han Dynasty in a setting of the historical development and change of court pool in early china.It further points out that as a unique visual art pattern,the miniature landscape generally took shape in the period of Qin Shihuang,then it developed in the early years of the Western Han dynasty,and finalized in the period of Emperor Wu of Han.This visual art form consisted of diverse conception of emperors such as ruler's imagination of the extraterrestrial and immortal world.At the same time,this conception also seemed as if it contained a hint of the worldview of all over the world.
出处
《艺术设计研究》
CSSCI
2020年第4期29-35,共7页
Art & Design Research
基金
广东省哲学、社会科学“十三五”规划2017年度一般项目“岭南传统建筑‘断片’时间性特征及其当代美学价值”(项目编号:GD17CYS09)的阶段性成果。
关键词
早期中国
秦至西汉中期
宫廷苑池
缩微景观
普天之下
early china
the period from Qin Shihuang to the middle of the Western Han Dynasty
court pool
miniature landscape
all over the world