台北故宫博物院藏传宋徽宗《文会图》时代考证

Textual Research on the Age of Literary Gathering Attributed to Emperor Huizong of Song Collected by Palace Museum of Taipei

现藏台北故宫博物院、画幅上方有赵佶与蔡京书法风格题诗的《文会图》,一直被认为是宋徽宗名下的人物画作,但自20世纪以来就其成画时代而言,学界却持有不同看法,至今仍歧见纷呈。本文主要从宋徽宗之花押与钤印规律、收传印记与著录、器物造型、书画风格四个方面进行考察,指出《文会图》实际存在的相关问题并加以探讨,通过综合考量提出《文会图》已非徽宗朝原迹,而是一幅完成于13世纪晚期至14世纪初期的后世摹本。

The painting Literary Gathering in the National Palace Museum of Taipei has been known as a figure painting attributed to Emperor Huizong of Song.There are poems of Huizong and his minister Caijing calligraphy style at the top of the painting.But scholars hold different views in terms of the date of this painting's completion since 20th century.Therefore,this paper mainly examines from four aspects:Huizong’s cipher and the regularity in his sealing,collector’s seals and description of ancient documents,the shape of objects,and the style of calligraphy and painting,to point out and discuss the related problems existing in this painting.Through comprehensive analysis,it is suggested that this painting isn’t the original work of Huizong Dynasty,but a later copy completed during the late 13th century to the early 14th century.