新技术影像与博物馆集体记忆的多重建构

New Technology Images and the Multi-layered Construction of Collective Memory in Museums

随着数字技术的不断发展,互动影像、全息投影、AR影像、VR影像等新技术影像成为博物馆中集体记忆新的内容载体和传播媒介。新技术影像以其交互、增强、沉浸的视觉特征,对集体记忆表现出的历史时空以及集体记忆的传播方式带来了诸多改变。在这一过程中,记忆的客体通过多维的视觉重构与原真性再现被进一步"活化",记忆的主体由对物的记忆转变为对生活方式的记忆。博物馆的新技术实践使集体记忆在"延续"的表象之下也有着隐蔽的"断裂",并且还存在被逐步异化的危机。集体记忆变得复杂而多元,为多重建构提供诸多可能。

With the increasing development of digital technologies,images produced by new technologies such as Interactive Image,Holography,Augmented Reality,and Virtual Reality have become new content carriers and communication channels for the collective memory in museums.With its interactive,augmented,and immersive visual characteristics,new technology images have brought many changes to the historical context that collective memory represents and the channels that it communicates.In this process,the object of memory is further"activated"through multi-dimensional visual reconstruction and authentic reproduction,which turns the memory of objects into that of lifestyle.With the museum s new technical practices,the collective memory,however,is also facing challenges of being"broken",and even being alienated,despite the continuity that appears on the surface.Collective memory has become complex and diverse,providing many possibilities for multi-layered construction.