摘要
"感兴"作为中国人特有的情感体验、审美思维与艺术表达方式,在中国传统诗学与美学中有着深远的影响。"感兴"创作是一种侧重于呈现创作者的情绪变化和心理审美为主体、加之以艺术化的技术处理、着重于意境的营造与渲染的主动创作形式。舞蹈创作中的感兴,应是舞蹈创作方法中的核心范畴,既是代表中国美学的民族特色,也是舞蹈创作的中的审美特点。从舞蹈创作的角度出发,可探寻在当下舞蹈创作中,"感兴"是怎样参与创作并产生指导意义的,并通过学理性的梳理,可为当下舞蹈创作与舞蹈构思打开一个新的思路,进而挖掘中国传统美学在舞蹈中的内在规律,寻找更适于中国审美与价值取向的创作路径。
As a typically Chinese mode of emotional experiencing,aesthetic thinking and artistic expressing,“ganx⁃ing”,has a profound influence on traditional Chinese poetics and aesthetics.Focusing on the presentation of the creators’emotional changes and psychological aesthetics,“ganxing”is a creation form whose major goal is to create certain artistic conceptions with the assistance of certain techniques.“Ganxing”is also the core method in dance cre⁃ation,which not only represents the ethnic characteristics of Chinese aesthetics,but also reflects the aesthetic re⁃quirements of dance creation.Based on a comprehensive literature review,this paper,exploring how“ganxing”in⁃structs the current dance creation,aims to provide a new approach for the current dance creation and dance concep⁃tion,which may be helpful for exploring the inherent rules of traditional Chinese aesthetics in dance and finding out a creative path more suitable for Chinese aesthetics and value orientation.
出处
《浙江艺术职业学院学报》
2020年第1期99-104,共6页
Journal of Zhejiang Vocational Academy of Art
关键词
感兴
舞蹈创作
审美
ganxing
dance creation
aesthetics