泉州金苍绣审美研究

Aesthetic Study of Jincang Embroidery in Quanzhou

金苍绣工艺源于唐代“蹙金绣”,保留于泉州传承至今,其金线盘结和主体仿浮雕造型构成了闽南及台湾等地区独特的宗教装饰。它的审美建构于特定的文化背景下,承载着宗教信仰、吉思祈愿或社会需求。基于艺术人类学的视野,分析金苍绣在既定文化氛围中的生成机制及审美特征,揭示其审美成因、审美风格,为金苍绣的深入研究、保护及新时期的发展定位提供思路。

Jincang embroidery originated from the Tang Dynasty,and has been preserved in Quanzhou until now.Its gold thread intertwining and main body imitation relief sculpture form the unique religious decoration in southern Fujian and Taiwan.Its aesthetics is constructed in a specific cultural background,carrying religious beliefs,wishes or social needs.Based on the perspective of cultural anthropology,this paper analyses the formation mechanism and aesthetic characteristics of Jincang embroidery in the established cultural atmosphere,reveals its aesthetic causes and aesthetic style,and provides ideas for further research,protection and development orientation of Jincang embroidery in the new era.