道璨“心”本体诗学体系谫论

On Daocan’s System of Poetics Based on“Heart”Ontology

在本体论上,道璨提出"诗以心为宗"的命题,把诗视为主体心中"清气"的自由流淌;在功能论上,他提倡关注社会现实、关乎国计民生的"风雅大道";在创作论上,他重视学养、阅历、参悟与师"心";在风格论上,他提倡"清不癯,活不放"的审美理想。道璨诗学体系以"心"为核心,在概念、命题及思维方式上均具有浓厚的佛学色彩,同时又具有鲜明的儒学化倾向。道璨诗论具有重要的理论价值,为当时诗坛指明了一条创作"心"路,其提出的新概念、新命题大大丰富了中国古代诗论的内容。

At the ontological level,Daocan puts forward the proposition that"poetry has its roots in the human heart"and regards poetry as the free flow of clear spirit("Qingqi")from one’s heart.At the functional level,he advocates the"holistic beliefs of Feng and Ya,"that pays attention to social reality and concerns national economy and people’s livelihood.In the theory of creation,he pays attention to learning through cultivation,experience,comprehending the nature of things and learning from the"heart."At the stylistic level,he advocates the aesthetic ideal of"delicate but not wizened;flexible but not vulgar."Daocan’s poetics system takes"heart"as the core and its concept,proposition and thinking mode not only manifest a strong influence from Buddhism,but also have a distinct tendency towards Confucianism.Daocan’s poetics has an important theoretical value pointing out a"heart"road of creation for the poetic circles at that time.The new concepts and new propositions he raised have greatly enriched the ancient Chinese poetics.