论王梵志诗中的悲剧--基于悲剧美学的理论

On the Tragedy in Wang Fanzhi’s Poems:Based on the Theory of Tragic Aesthetics

王梵志的诗体现出了奥斯卡·王尔德眼中的生活悲剧——毫无美感的,甚至是丑陋、鄙俗的人事。爱情永恒是人类的强烈愿望,人的这个本质力量幻灭在了他的诗中。王梵志用“消长”来解释个人乃至全人类的命运悲剧,相比古希腊人停留于命运表面上的悲感来说又进了一步。租庸调制和府兵制下社会环境之恶劣、王梵志及其他劳苦大众的遭遇之悲惨、压迫剥削与亲情异化之触目惊心,这些悲剧作家和理论家所认为的社会悲剧也都体现在了他的诗中。现实的污秽和矛盾搅乱了他的三观,造成了他精神上的悲剧,以至于极力呐喊“死亡艺术”来唾弃这个世界,来做些微弱的反抗。

Wang Fanzhi’s poems reflect the tragedy of life in Oscar Wilde’s eyes,which is not aesthetic,even ugly and vulgar.The strong desire for eternal love,a man’s essential power,is disillusioned in his poems.Wang Fanzhi’s explanation of fate by“growth and decline”is a step further than the sadness of the ancient Greeks who stayed on the surface of fate,but invisibly reveals the tragic fate of all mankind.The social tragedies in the eyes of tragic writers and theorists are also reflected in his poem-the harsh social environment under the background of The Zu-Yong-Diao System and the military system in effect A.D.535-749,the misery of Wang Fanzhi and other hard-working people,the oppression and exploitation,and the alienation of relatives are shocking.The dirty and contradictory reality disturbed his outlook on life,world and values and caused his spiritual tragedy,so that he shouted“the art of death”to despise the world and make some weak resistance.