《我是余欢水》:男性话语建构的逻辑与问题

If There is no Tomorrow:The Logic and Problems of Male Discourse Construction

《我是余欢水》以黑色幽默风格、爽剧复仇的方式成功塑造了一个极有魅力的主人公--余欢水的形象,并通过他的人生故事将现代年轻人在职场打拼的痛苦、烦恼和在家庭关系中的迷茫与困窘展现得淋漓尽致,给观众以强烈的共鸣感。但该剧的成功植根于男性中心主义的话语狂欢,其隐含的男性逻辑值得探讨。文章以精神分析女性主义的方法讨论该剧二元对立的男性话语建构特征以及男性自我成长乌托邦性,进而对其在人物塑造时不自觉地将女性符号化、他者化的倾向进行了深刻反思,从而揭示了该剧的成败得失对于当前整个影视剧创作的启示。

If There is No Tomorrow has successfully shaped the image of Yu Huanshui,a very charming protagonist,whose black humor style and revenge in the play dramatically thrill the audience. His life story vividly manifests the modern young people’s struggle in the workplace and predicament in the family relationship,which enables the audience to feel a strong sense of resonance. However,the success of the play is rooted in the discourse construction of male centralism,whose implied logic and problems are worth exploring. In this paper,psychoanalysis and feminism theory are used to discuss the binary male discourse construction,and the Utopian nature of male self-growth,and then deeply reflect on the tendency of symbolizing and othering female characters. Thus,revealing the success and failure of the play helps to inspire the current TV drama creation.