摘要
高温色釉在粉彩花鸟瓷画底色中的运用可以追溯至清代雍正、乾隆时期,具有确定主色调、丰富色彩关系、烘托主体等审美功能,在表现形式上主要分为传统类与现代类,分别呈现出不同的审美特点。
The application of high temperature color glaze in the background color of famille rose flower and bird porcelain painting can be traced back to the Yongzheng and Qianlong periods of Qing Dynasty.It has the aesthetic functions of determining the main color,enriching the color relationship and setting off the main body.In the form of expression,it is mainly divided into traditional type and modern type,showing different aesthetic characteristics.
作者
吴伟
Wu Wei(Wu Wei studio,Jingdezhen,333001)
出处
《陶瓷研究》
2020年第4期85-87,共3页
Ceramic Studies
关键词
粉彩花鸟瓷画
高温色釉
底色
运用
famille rose flower and bird porcelain painting
high temperature glaze
background color
application