论湛若水的辞赋创作

On Zhan Ruoshui's Ci-fu creation

湛若水为理学大家,亦是一位颇具文学成就的文人。作为哲学家,湛若水建构了“随处体认天理”的理学思想体系;作为文学家,湛若水的辞赋创作亦有不菲的成就。然因其学名太显,湛若水的文名一直未得到学界关注,实则湛若水的辞赋创作无论是数量还是质量皆可称一代赋家。从湛若水创作手法的赋家圣心来看,湛若水有“控引天地,苞括宇宙”的超时空想象、“错综古今,总览人物”的溯古鉴今、“綦组锦绣,经纬宫商”的修辞手法等大赋家创作特征。从湛若水的情志世界看,在朝为官时期湛若水辞赋中有较强的颂美意识,借祥瑞鸣本国之盛;在湛若水致仕归隐后,其辞赋中多流露出自然怡得之思,与其理学思想相呼应,是为其辞赋创作历程之“自然之旨”学形成的诗意栖居。

Zhan Ruoshui,a great scholar of Neo-Confucianism,is also a literary scholar with considerable literary achievements.As a philosopher,he constructed the Neo-Confucianism ideology of“recogni-zing heaven everywhere”.As a writer,Zhan Ruoshui had made great achievements on Ci-fu.However,because his achievements in the academic world are so well-known,Zhan Ruoshui's literary achievement has not received much attention.In fact,his Ci-fu creation,whether in quantity or in quality,can be called a Ci-fu writer of the time.Judging from the holy heart of his Ci-fu,Zhan Ruoshui has a hyperspace imagination of“controlling the world and encompassing the universe”,a learning-from-the-past attitude of“intricate ancient and modern,overview the characters”,and a rhetoric device of“beautiful language and harmonious rhythm”.From the perspective of his emotional world,Zhan Ruoshui's Ci-fus in his official period have a strong sense praising beauty and beauty and those after his official retirement show natural and happy thoughts,which corresponds to his Neo-Confucianism and is the poetic dwelling of his“natural purpose”.