摘要
晚清民国,以蒙古王公及寺院上层喇嘛为代表的蒙古贵族纷纷效仿京城满族贵族府邸样式在自己的辖地建造府邸,建筑装饰中多使用砖雕,这些砖雕虽为汉地工匠所创,但在纹饰方面表现出多民族、多文化并存、互融的地域特征,从而形成了独特的砖雕纹饰体系。挖掘其所蕴含的地域文化特征,有助于蒙古地域建筑纹饰的研究及活化利用。
In the late Qing Dynasty, the Mongolian aristocrats represented by the Mongolian princes and the upper monks of the monasteries followed the style of the Jingcheng Manchu aristocratic residences in their own jurisdictions. The bricks were often used in architectural decoration. These bricks were created by Han Dynasty craftsmen. However, in the aspect of ornamentation, it shows the regional characteristics of multi-ethnic and multi-cultural coexistence and mutual integration, thus forming a unique brick carving system. Exploring the regional cultural characteristics contained in it, which contributes to the research and activation of architectural patterns in Mongolia.
作者
莫日根
李玲霞
Mo Rigen;Li Lingxia(College of Architecture,Inner Mongolia University of Technology,Inner Mongolia Key Laboratory of Green Building,Hohhot 010051,China)
基金
2018年度国家自然科学基金地区项目《蒙古地域传统汉藏结合式寺庙殿堂建筑原型与谱系研究》(51868056)成果
2016年度内蒙古社会科学研究项目《鄂尔多斯地区民国府邸“西化”建筑艺术特征研究》(16B15)成果.
关键词
蒙古贵族
府邸
砖雕纹饰
地域特征
Mongolian aristocratic
house
brick carving
geographical features