音乐创作和表演中的方言元素——以汪立三钢琴曲《蓝花花》的创作、表演的可视化分析为例

How Local Dialect Functions in Composition and Performance–A Visualized Study of Wang Lisan’s Piano Piece Lan Hua Hua

近年来,音乐与语言的关系已成为现代心理学、语言学、音乐学等领域关注的重要问题。以汪立三的钢琴曲《蓝花花》为例,在创作中,方言语音音调的轮廓是民歌旋律的重要来源,也是作曲家对民歌素材创造性运用的依据;同时,方言语音中的延长音、滑音、重音等富有地方特征的音节,多运用附加音和弦、七和弦等不协和和弦等编配,使作品独具特色和感染力。从乐曲演奏来看,音符时值偏离度与方言语流大都体现出一致性;而偏离度与语流的契合度,以及不同段落速度对比的宏观理念等存在较大差异,反映出演奏家的专业训练过程、对语言和文化环境等体验经历的不同。

By means of acoustic software for reading the lyrics with Shaanxi dialect,its phonetic frequency peak contour line can be observed,and the relations between words and the Lan Hua Hua melody can also be analyzed,which can explain the features of dialect in music composition,as well as the inner causes why performance styles can be so different.