摘要
马尔库塞提出“艺术异在”理论是为了达到救赎“异化”的目标。异在是异化的异化,艺术异在的永恒性与艺术的自律构成了异在救赎异化的基础。艺术异在通过语言、审美方式等艺术的外在表现形式,以及艺术异在潜在的否定性、革命性等内在力量,实现对异化的救赎。异在的艺术世界的建构是对异化现实的超越,也是异在救赎的最终目标即建构审美乌托邦世界。
Marcuse’s theory of“artistic estrangement”is to achieve the goal of“alienation”of redemption.The estrangement is the alienation of alienation.The eternality of artistic estrangement and the self-discipline of art constitute the basis of alienation and redemption.Artistic alienation realizes the redemption of alienation through the external manifestation of art such as language and aesthetic form,as well as the inherent negation of the negative and revolutionary nature of art.The construction of the alien art world is the transcendence of the alienation reality,and the ultimate goal of the redemption is to construct an aesthetic Utopian world.
作者
朱冲冲
ZHU Chongchong(School of Literature,Henan University,Kaifeng 475000,Henan,China)
出处
《惠州学院学报》
2020年第4期81-86,共6页
Journal of Huizhou University
基金
河南大学文学院研究生“知言学术创新计划”(CX3011A0780214)。
关键词
马尔库塞
艺术异在
异化救赎
Marcuse
artistic estrangement
alienation redemption