日本传统木纹金属花纹审美研究

Aesthetic Study of Japanese Traditional Mokume Gane Pattern

木纹金属源起于日本的江户时代,明治维新后传向西方,其制作技术在英、美、澳等多国爱好者的致力下发展了近400年。在18世纪60年代至20世纪初两次工业革命之间,西方凭借领先的设备技术将日本传统木纹金属制作工艺中的两个关键——金属基材熔接和花纹成型技术,提升到了全新的高度,使日本这项即将消亡的传统工艺技术重新焕发了生机。但是,木纹金属的制作技术在"异国他乡"高歌猛进的同时,蕴含在其中最原始的人文内涵也产生了明显的嬗变。伴随技术的成熟,西方的审美和文化导致木纹金属中所蕴含的东方审美逐渐西化,产生了令人惊叹的"流"变。本文重点关注探讨日本传统木纹金属的花纹演化发展,尝试探寻日本传统木纹金属源起的本初。通过对正阿弥伝兵卫的作品发展历程的分析,还原该工艺在历史长河中的"源"貌,展示蕴含在其中的日式人文思想及审美观照。

The Mokume Gane technique originated in the Edo period of Japan was spread to the west after Meiji restoration.It has been developed for about 400 years with the dedication of Mokume Gane fans from Britain,America,Australia and other countries.With the industrial revolutions from the 1860 s to the early 20 th century,the west took the two key elements of traditional Japanese Mokume Gane,metal substrate fusion and pattern molding to a whole new level with its leading technology and equipment,which also made this dying traditional craft back to life.But,with the rapid development of the Mokume Gane technique in the western countries,the most primitive humanistic connotation in it has also changed obviously.With the maturity of the technology,western aesthetics and culture have led to the gradual"Westernization"of the oriental aesthetics that contain in Mokume Gane,resulting in an amazing"flow"change.This paper focuses on the evolution and development of the Japanese traditional Mokume Gane pattern and attempts to explore the original meaning of Japanese traditional Mokume Gane.Through the analysis of the development of Shoami Debbie’s work,this paper restores the source of Mokume Gane in the long history and displays the Japanese-style humanistic thought and aesthetic view contained in it.