宋春舫戏剧思想的审美之维

The Aesthetic Dimension of Song Chunfang′s Drama Thought

从三个维度出发,以宋春舫的戏剧创作反观其戏剧理论,揭示其戏剧思想包含的审美意蕴。《一幅喜神》以价值追求强调戏剧的独立品格;《五里雾中》以反思习俗指向戏剧创造的途径;《原来是梦》则以走出职业的牢笼为喻,提倡戏剧的超功利目的。这不仅有利于深入了解宋春舫的剧作价值,同时,对现代戏剧批评体系的构建也具有重要的借鉴意义。

Based on three dimensions,this paper reviews Song Chunfang′s drama theory with his drama creation,and reveals the aesthetics implication contained in his drama thought.A Picture of Joy God emphasizes the independent character of drama by pursuing value.Five Miles in the Fog points to the way of drama creation by reflecting on customs.Originally a Dream is has the metaphor of get out of the cage of occupation,to promote the purpose of drama beyond utility.This is not only conducive to in-depth understanding of the value of Song Chunfang′s creations,but also has important reference significance to the construction of the modern drama criticism system.