摘要
以庄子为代表的道家的“天—象(气)—物(人)”结构,以象为媒介反映了天人合一的理念,具体到诗学,它又是传统诗歌中意境之说的哲学基础。韩国现代主义诗人金起林在借鉴庞德意象主义和朝鲜传统时调创作理念的同时,还无意识地继承了二者内在的道家文化传统,其诗歌的“明朗性”特点本质上和道家的“无为自然”哲学理念一脉相承。诗歌《波涛》集中体现了这些文化理念,向我们描绘了一个虚无与生命、具象与大美、混同与齐一的道性世界。
Taking image(象)as a medium,the Heaven(天)—Image(象)—Substance(物)structure of Daoist represented by Zhuangzi reflects the concept of harmony between man and nature.Specific to poetics,it is the philosophical foundation of the artistic conception in the traditional poetry.As a Korean modernist poet,Jin Qilin referred to Pound’s imagism and the creative concepts of the traditional Korean verses,and unintentionally carried forward the Daoist culture tradition as well.The lucidity of his poetry is in line with the Daoist philosophy of inactivity to nature.His poetry Waves embodies these cultural concepts and shows us a Daoist world of nihility and vitality,concreteness and beauty,combination and homogeneousness.
作者
裴书峰
丁凤熙
PEI Shu-feng;DING Feng-xi(School of Foreign Languages,Yantai University,Yantai 264005,China)
出处
《烟台大学学报（哲学社会科学版）》
CSSCI
北大核心
2020年第5期71-76,共6页
Journal of Yantai University(Philosophy and Social Science Edition)
基金
国家社会科学基金一般项目“庄子与韩国现代文学的文化关照”(WY17R01)
山东省社科规划研究项目“韩国女性电影文学的儒家文化形象研究”(20DWWJ03)
山东省高等学校人文社会科学研究计划项目“韩国女性电影与庄子美学”(J18RA316)。
