论祝大年《森林之歌》壁画的属性

On the Attribute of Zhu Danian's Mural Painting:Rhythm of the Forest

近几十年以来,我国陶艺界普遍认为祝大年的《森林之歌》壁画只是壁画和陶瓷艺术,而不属于“陶艺”和“现代陶艺”。这其实是基于西方现代主义的自律性逻辑的偏见。《森林之歌》壁画以及部分绘画性陶瓷艺术作品,完全具有成为“陶艺”或“现代陶艺”的可能,前提是要对“陶艺”“现代陶艺”的基本观念进行批判和反思。

In recent decades,it has been widely believed in China's ceramic art circle that the Rhythm of the Forest by zhu Danian is only a mural painting or a ceramic painting art,and it can not demonstrate the"ceramic art",not to mention the"modern ceramic art".Actually,this is just a bias based on the self-discipline logic of Western modernism.The mural of Rhythm of the Forest and some other ceramic painting works could well be regarded as a kind of"ceramic art"or"modern ceramic art"as long as we give a new consideration to the basic concepts of"ceramic art"or"modern ceramic art".