摘要
以电视故事片《彩色熊猫》5.1环绕声制作为例,阐述环绕声声音设计、前期拾音、后期制作,重点解析后期创作过程中的创作理念及制作,并与电视纪录片创作手法进行对比。
Taking the TV feature film Color Panda 5.1 surround sound production as an example, this paper expounds the surround sound sound design, early sound picking and post-production, focusing on the analysis of the creative concept and production in the post-production process, and compares it with the creation techniques of TV documentaries.
作者
刘晓惠
LIU Xiao-hui(China Media Group,Beijing 100859,China)
出处
《演艺科技》
2020年第7期22-27,共6页
Entertainment Technology
关键词
同期录制
5.1环绕声拾音
ARD录制
拟音
有声语言编辑处理
音效设计
simultaneous recording
5.1 surround sound pickup
ARD to record
foley
audio language editing and processing
sound effect design