摘要
1982年前后,郑军里的工笔画已经很明确清晰地具有了自己的风格特质和专长取向,但1985年中期以后的郑军里,却忽然转道了,改画水墨写意人物,而且是一种疾风劲草、狂飙突进式的大写意。关于水墨人物画的现代性思考及创作,郑军里是有备而来,一切均源于自己宽阔的文化视野,以及贴近自己心性的艺术追求。桂西少数民族的民俗生活与风情,现在已成为郑军里国画人物的中心题材,在美术界已建立了稳固的风格"标识"。
Around 1982,ZHENG Junli’s meticulous painting has clearly possessed his own style characteristics and expertise.However,after the middle of 1985,ZHENG Junli suddenly changed his way to ink and wash figure painting,and it was a kind of freehand brushwork with madness style.Regarding the modernity thinking and creation of ink and figure wash painting,ZHENG Junli came prepared,and everything stems from his broad cultural vision and close to his own artistic pursuit.The folk life and customs of the ethnic groups in western Guangxi have now become the central theme of ZHENG Junli’s traditional Chinese painting figures,and a solid style"logo"has been established in his art world.
出处
《艺术探索》
2020年第4期125-128,共4页
Arts Exploration
关键词
郑军里
水墨人物画
现代
ZHENG Junli
Ink and figure wash painting
Modernity